"Here is a basic and repetitive example of "framing" chord tones. Approaching each pitch of a chosen arpeggio (Emin7 in this case) from a half step below (or above). A whole new more complex melodic sound is introduced that will instantly expand your vocabulary. I believe it's best to start right off incorporating it in the context a groove that you're committed to holding down so it always lands sounding like music, not exercises. Then as I did here, sprinkle in some of your "go to" licks. You will quickly see how nicely it falls right in as new, useful and interesting melodic content. Adam Nitti recently published a complete lesson video explaining and demonstrating it all very well, if inclined search it out. As he put it, it can just be thought of and executed from a geometrical standpoint, no need for over thinking, just play the note on either side of the chord tone, then the chord tone." —Andy Irvine |